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Home > ÀÛǰ°úâÀÛ> Products & process |
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ÀüÀï °°Àº ÀÏ»óÀ» µÇµ¹¾Æº¸°Ô ÇÏ´Â º¸Çì¹Ì¾ÈÀÇ ¹æ¶û!!
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The Return is a bizarre odyssey through human life based on German playwright Bertolt Brecht¡¯s epic, Legend of the Dead Soldier.
When a loving father is senselessly killed at war, his memory is escalated to that of a hero, allowing those left behind to grieve and to celebrate, finding a new meaning in life. With minimal dialogue, striking visual imagery is created through the use of movement and mime.
Dim lighting, long moments of stillness and bursts of frantic activity and slapstick blends seamlessly, evoking emotions that range from sadness to madness. From questioning the concepts of life and war, it focuses on how to live happily when wars are unceasing in society.
The Return evokes the universal sympathy of human life with various theatric languages such as physical theatre, mime, music. But don¡¯t be afraid to laugh because there is also plenty to tickle the funny-bone despite the nature of the story.
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±×¸®°í, ¸¶Ä§³» ´Ù½Ã ã¾Æ³½ »ç³»ÀÇ ½Ã½ÅÀº È·ÁÇÑ ¿Ê°ú Çâ¼ö·Î Ä¡ÀåÀ» Çϰí´Â ¼ö³àÀÇ Âù¼ÛÀ¸·Î ¿µ¿õÀÌ µÈ´Ù. ¶Ç ´Ù½Ã ½Ã¹ÎµéÀ» À§ÇØ ÇàÁøÀ» ÇÑ´Ù. ¸ðµç ÀüÀïÀº ³¡³ª°í,,,
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A man, who gets a journey behind his routine life, wanders to discover something that leads him to somewhere. He gets to a bus stop, and waits for the bus with some other people for a long time. However, the bus never stops for them, so he is worn out.
In a sudden moment, a familiar illusion appears to him, and he is taken along to an unknown place by it.
Over there, he arrives in a strange place, and meets a politician who is mad for war. He is forced to become a soldier of military band. Every 3 o¡¯clock, the war breaks out after the sign of his drumming. Perceiving that his drumming causes lots of people¡¯s death, he suicides in confusion.
However, a politician makes the soldier as a hero for his interest so that the dead soldier¡¯s body is dressed up, and people march along with it¡¦ |
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"The Return" Premiere in 2003,
Invitation program, 8th Bangkok Fring Festival(Jan 2008, Thailand)
Invitation Program, Macao Fringe Festival(Jan 2007, Macau)
Invitation program, ñé??Ê«??ê (Mar 2007, Beijing)
Choice of Seoul Performing Arts Market Showcase (Oct, Korea)
Provincial tour, Jejudo, Kangwondo, chungcheongdo(Fall/winter 2006, Korea)
Invitation program, FestivalInternational DE TEATRU SIBIU(May 2006, Rumania)
Invitation program, FestivalInternational DE TEATRU Bitei(May 2006, Moldova)
Invitation program, The Flipside Festival, Esplanade (June 2005, Singapore)
¡¡Invitation program, Theatre Iwato of Black Tent Theatre,
Invitation program, Tokyo (May 2005, Japan)
Invitation program, Daejeon Arts Centre (Feb 2004, Korea)
¡¡Invitation program, Seoul Fringe Festival (Aug 2004, Korea)
¡¡Official program, Gwacheon Hanmadang Festival (Sep 2004, Korea)
¡¡Adelaide Fringe Festival (Feb 2004, Australia)
Adelaide Performing Arts Market (Feb 2004, Australia)
Invitation program, Next Wave Festival, Seoul (Dec 2003, Korea)
¡Û Length of actual show: 60 min
¡Û Ideal scale of venue to perform: Black box theatre is preferable
¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡ ¡¡¡¡ Less than 300 seats
¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡ Stage dimension 10m * 10m
¡Û Size of touring company: 10 people
¡Û Type of work: Physical Theatre |
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